tag:blogger.com,1999:blog-9099675.post6148029217773380560..comments2023-09-20T10:43:13.922-04:00Comments on film, music, philosophy, moral meaning, and storied living: Persona - 5~greghttp://www.blogger.com/profile/03643717782718495294noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-9099675.post-78441914409256998142007-06-02T16:00:00.000-04:002007-06-02T16:00:00.000-04:00Your rating is two numbers off. Try again.:)The b...Your rating is two numbers off. Try again.:)<BR/><BR/>The bookends serve as an encapsulation of all of Bergman's work prior to Persona: the God-Spider from Through a Glass Darkly, images from a 50s Bergman film, film unwinding and restarting, and the child not cognitive between image and reality.<BR/><BR/>The sex monologue, as you noted with your reference to Zizek, is legendary in its eroticism. Pay it more respect.<BR/><BR/>The only thing you can attack in the repeating end monologue seen from each perspective, as I'm still trying to formulate a good reasoning for it. That said, I'll be writing about this one soonish...<BR/><BR/>PaulAnonymousnoreply@blogger.com